About the project

The Quilting Stories of East Texas (QSET) project was funded by the Quilters Guild of Dallas in April 2004. The purpose of the project was to find, survey and document quilts in eastern Texas (from the Gulf of Mexico north to the Red River and east of the Trinity River). The project highlights the unique stories behind East Texas quilts. This year long project was completed with the help of a few people: Anne Kendall, oral history transcriptionist; Marquis Gatewood, filming and video editing; Laurel Dundee, filming. Most importantly, I would like to thank all of the quilters who let me into their home to photograph their quilts and listen to their stories without you there would not be a project.

Fields used in the project

(Title at the top): The name the quilter gave the quilt, not necessarily the pattern name

Quilt maker: The person who made the top of the quilt

Quilter: The person who did the quilting

Date: The date the top was finished and the date it was finished quilted

Size: Size of the finished quilt, when exact dimensions are not known the closest bedding size is used.

Pattern Name: If the block pattern is not used as the title then it is placed here, along with alternate names for the block pattern. Quilts with numbers are referenced from Encyclopedia of Pieced Quilt Patterns, compiled by Barbara Brackman, 1993, American Quilter's Society.

Location: Where the quilt was made, all the quilts are now located in East Texas but may not have been made here.

Style/Technique: Describes the general design format
      Block Pattern
      Crazy
      Medallion or framed center
      Pictorial or art
      One patch or all over
      Horizontal strip or bands
      Vertical strip or bands
      Whole cloth
      Other

Construction: Techniques used in quilt top and quilting
      Hand piecing
      Machine piecing
      Foundation Piecing
      Strip/String Piecing
      Other Piecing Hand Applique
      Machine Applique
      Reverse Applique
      Fusible Applique
  Embellishment
      Embroidery
      Painting
      Ink drawing
      Photography/photo transfer
      Attachments (beading, charms, buttons, etc)
      Other embellishment technique

Fabric: Fiber and fabric types that were used in the quilt
      Cotton
      Cotton or Polyester blend
      Other blends
      Polyester
      Other synthetic
      Linen
      Silk
      Wool
      Homespun/woven
      Flannel
      Feedsack
      Satin
      Velvet
      Saten
      Broadcloth
      Muslin
      Chintz
      Glazed
      Unknown
      Other

Colors: Overall color scheme and the predominate colors of the quilt. Some colors would include:
      Red
      Burgundy
      Rust
      Coral
      Pink
      Fuchsia
      Orange
      Yellow
      Green
      Turquoise or Teal
      Blue or Navy
      Purple
      Lavender
      Maroon
      Black
      Gray
      Beige or Tan
      Gold
      Brown
      White
      Cream

Inscription: The signature of the quiltmaker on the quilt, there is a link to the inscription
      Attached label
      Printed in the fabric
      Embroidery
      In the quilting
      Ink
      Pencil
      Stamped
      Stencil
      Computer generated
      Typewriter
      Other

Quilting Design: The design the quilter created
      Hand quilting
      Machine quilting
      Tied or tufted
      Corded
      Stuffed Work
      Not quilted
      Other
  Motif/Overall pattern
      Clamshell
      Echo
      Elbow
      Fan
      Grid/crosshatch
      Grid square
      Grid diamond
      Outline
      Stipple
      All over design
      In the ditch
      Meander/free motion
      Single parallel lines
      Double parallel lines
      Triple parallel lines
      Patches outlined/ in the ditch
      Other

Batting: Material used for quilt batting or filling
      No filling
      Can't tell
      Blanket or flannel
      Cotton
      Cotton or polyester blend
      Polyester
      Wool
      Another quilt
      Sheet
      Other

Condition:

Excellent--No stains, holes, fading or wear. No restorations or repairs. All seams and stitching intact. No batting shift noted.

Very Good--Quilt may have minimal fading or staining. No holes, tears, or fabric loss. all stitching and seams are intact. May have a slight batting shifting.

Good--Some staining, fading or discoloration noted. May have some age appropriate wear to fabrics or binding. May have some loose stitching. May have been repaired or restored. May have batting shifting.

Fair-- Has fading, wear or staining. May have some tears, holes or fabric loss. May have loose stitching or open seams. Batting may be shifted or small amounts exposed.

Poor--Obvious fading, wear or staining. May have serious tears, holes, fraying or fabric loss. May have loose stiching or open seams. May have shifted or exposed batting.

Quilt Owner: Who currently has possession of the quilt

QSET number: The number the quilt was given from the project,

How to add your quilt to the project

Contact Linda Reynolds--lreynolds@sfasu.edu or 936-468-1562

Release form.    word.doc,   pdf

Documentation form.  word.doc,   pdf

 

Contact information:

Linda Reynolds
Director, East Texas Research Center
Box 13055, SFA Station
Nacogdoches, TX 75962
936-468-1562
lreynolds@sfasu.edu


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