First egg in video:  Pozole, c. 1997
Angélica Morales Gómez
Tzintzuntzan, Michoacán
Hen’s egg, ink, 2 1⁄4 x 1 1⁄4 inches
all dimensions are (h x w x d)

Second egg: Nativity
Nacimiento, c. 1997
Angélica Morales Gómez
Tzintzuntzan, Michoacán
Hen’s egg, ink, 2 1⁄2 x 1 3⁄4 inches
all dimensions are (h x w x d)

Virgin of Guadalupe: Virgin of Guadalupe
La Virgen de Guadalupe, c. 1993
Anonymous
Tzintzuntzan, Michoacán
Glazed terra-cotta, 14 3⁄4 x 7 x 7 inches
all dimensions are (h x w x d)

Jar on viewer left: Carnival
Carnaval
olla, 1997
Angélica Morales Gómez
Tzintzuntzan, Michoacán
Glazed terra-cotta, 7 1⁄4 x 8 1⁄2 x 7 1⁄2 inches
all dimensions are (h x w x d)

Jar on viewer right (behind eggs): Purépecha Markets
Tianguis Purépecha
olla, 1997
Angélica Morales Gómez
Tzintzuntzan, Michoacán
Glazed terra-cotta, 7 3⁄4 x 9 x 8 3⁄4 inches
all dimensions are (h x w x d)

This exhibition is a wonderful preview to the remarkable expression of Mexican artists, whose traditions are the synthesis of time and place. And, it is to the credit of Laura and Dan Boeckman to have focused their energies upon collecting the works of these artists who act as the bridge that connect the past of their parents to the future of their children and the world beyond.

These selected works from the Boeckman collection provide a greater appreciation of folk art as an active element that is closely connected to identity of community. It is integrated into the everyday routines and celebrations of individuals, their families and neighbors, who commemorate the past and the present, while holding and projecting ideals and fears of the future.

In this video, Tyler Museum of Art guest curator Stephen Vollmer interprets this Mexican Folk Art for us.